Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Saturday, December 4, 2010

A Little Night Music Cast Album


I've had the original cast album for A Little Night Music kicking around on my Ipod for awhile, but never really got to listen to it. That was until last week. I sat down, threw my earbuds in, and decided to take a listen to the music from this classic Sondheim musical.

After the overture, the album starts out with Now- Later - Soon. When I first realized that this song was over 10 minutes long, I got a bit concerned. Songs with this length are either amazing or they're extremely repetitive and boring.  This song turned out to be the former. It gives you a good sense of what's going on with the characters and provides a nice introduction that makes you want to listen to the rest of the music.

The album continues on with The Glamorous Life, one of my favorite songs from this musical, and goes onto even more memorable Sondheim tunes, including The Miller's Son, an interesting look at one of the main characters, the famous Send in the Clowns, and another one of my favorites, You Must Meet My Wife. Now, there are some boring tracks on this album, but the good songs outnumber the less interesting ones.

So what would I give this cast album? I'd say an 8 out of 10.  Even if there are a few boring songs scattered throughout, this is one of those recordings that I'll definitely go back and listen to over and over again. If you're a musical theatre fan or a Sondheim fan, go and take a listen!

Tuesday, November 2, 2010

Adaptation Overload: Is it Good or Bad?


           
          If you were to take a survey asking fans of musical theatre if they think that theatre nowadays is lacking originality, nine out of ten would probably say yes. It seems like we’re always complaining about the number of jukebox musicals and adaptations we see every year. Nearly every hit on Broadway now is an adaptation. The only exception that comes to mind is Next to Normal. But is the lack of originality in theatre really as bad as we all make it out to be?

Personally, I think it’s a blessing and a curse.

First, the blessing part. There have been some great musicals that have been adaptations. In fact, my favorite musical of all time, The Producers, was adapted from a movie. There are some stories that just seem great for the stage, and have proved that they’re even better when they have song and dance blended into them.

But at the same time, this trend is also a curse. For every great adaptation, for every story that was made better by becoming a musical comedy, you have the shows that are just terrible and were only created because the people behind them knew they would turn a huge profit. That’s why we have shows like Mama Mia and Legally Blonde. They’re mediocre at best, but because they carry familiar names of movies and 80’s pop groups, they sell. People go toward what they’re familiar with, so adaptations of blockbuster movies and jukebox musicals consisting of the music of famous bands and musicians usually become hits. This wouldn’t be such a bad thing if it didn’t mean that original, creative musicals don’t get as much attention as they deserve.

Sadly, it looks like this is a pattern that is going to continue. As I said, these adaptations sell well, so producers are going to produce them. It’s only natural that we see more of them than we see musicals such as [Title of Show].

So what can theatre fans do instead of sitting around and complaining about the lack of originality on Broadway? We could go see more original shows that don’t seem to be getting much attention, see some of the new shows looking for their big break Off-Broadway, and attend more regional theatre shows. If you look around, you’ll be surprised by the amount of wacky and creative shows are out there.

The trend of jukebox and adaptation musicals probably isn’t going to end anytime soon. After all, these types of shows are making producers millions of dollars because of their successes. But don’t be afraid to give some of them a chance because some end up being great, and remember, originality in theatre isn’t completely dead – sometimes it’s just harder to find those gems out there.

-Marina